“Auspacken? Urs Fischer beim Ausstellungsaufbau. Morgen ist es so weit :: ERÖFFNUNG “Urs Fischer. Skinny Sunrise” um 19 Uhr in der KUNSTHALLE wien.”
“It’s been more than 40 years since the Metropolitan Museum of Art rethought what many considered its raison d’être, its galleries of European paintings. Now comes a change. All 45 European painting galleries have been cosmetically overhauled: new floors, fresh paint, walls put up or brought down, etc. A few months ago 450 paintings were on view; now there are more than 700.” (NYTimes)
Felix Gonzalez-Torres, Untitled (Placebo), 1991. Installation process. Image courtesy of the Williams College Museum of Art; photo by Roman Iwasiwk (curatedobject.us)
![Nick Cave’s “Twig Soundsuit” rests, partially constructed, at the base of Sylvia Sleigh’s “The Turkish Bath” during the installation of “Go Figure.” [2011] (smartmuseum)](http://25.media.tumblr.com/35f5441a063dd6a90c1fc191c6556bbc/tumblr_mn9m35dhPe1r0b8ceo1_1280.jpg)
Nick Cave’s “Twig Soundsuit” rests, partially constructed, at the base of Sylvia Sleigh’s “The Turkish Bath” during the installation of “Go Figure.” [2011] (smartmuseum)
Shitty Abstract Painting [bought from eBay], date unknown
Togepi, 1996, Satoshi Tajiri
“In March of 1962 Swiss artist Jean Tinguely was invited by NBC to Las Vegas, NV to do one of his metamechanic art installations.” Study For An End Of The World No. 2 (sartoriallyinclined)
![“The works of art by Max Ernst, Claes Oldenburg and Alexander Calder have been safely packed up to make room for Grande Maternite by Henri Laurens, Williamson Turn by John Chamberlain and Richard Deacon’s Like a Bird.” (Nasher Museum) [July 2012]](http://24.media.tumblr.com/7975d744e4980563606c35bcac8e4c5b/tumblr_mn5izacghm1r0b8ceo1_1280.jpg)
“The works of art by Max Ernst, Claes Oldenburg and Alexander Calder have been safely packed up to make room for Grande Maternite by Henri Laurens, Williamson Turn by John Chamberlain and Richard Deacon’s Like a Bird.” (Nasher Museum) [July 2012]
![“The photograph featured here documents the installation of the Solomon R. Guggenheim Museum’s influential 1966 exhibition, Systemic Painting. Curator Lawrence Alloway stands to the right overseeing the hanging of Neil Williams’s Sartorial Habits of Billy Bo(1966) in the High Gallery. To the right of Williams’s painting, Frank Stella’s Wolfeboro IV(1966) leans up against the wall waiting to be hung.” (Lawrence Alloway installing Systemic Painting, 1966: Exhibition files: 189: Systemic Painting. A0003. Solomon R. Guggenheim Museum Archives, New York) [Guggenheim]](http://24.media.tumblr.com/82ed8e8dd3666c3cf7a19ef53902cd84/tumblr_mn3szjYgf61r0b8ceo1_1280.jpg)
“The photograph featured here documents the installation of the Solomon R. Guggenheim Museum’s influential 1966 exhibition, Systemic Painting. Curator Lawrence Alloway stands to the right overseeing the hanging of Neil Williams’s Sartorial Habits of Billy Bo(1966) in the High Gallery. To the right of Williams’s painting, Frank Stella’s Wolfeboro IV(1966) leans up against the wall waiting to be hung.” (Lawrence Alloway installing Systemic Painting, 1966: Exhibition files: 189: Systemic Painting. A0003. Solomon R. Guggenheim Museum Archives, New York) [Guggenheim]
Photograph of Robert Motherwell during the installation of his exhibition, 1984 and installation diagram, 1985. 441: Robert Motherwell. Exhibition files. A0003. Solomon R. Guggenheim Museum Archives, New York. Art © Dedalus Foundation, Inc./Licensed by VAGA, New York, NY (Guggenheim)
The Monuments Men (the Allied complied team that sought to recollect Europe’s stolen art from the Nazis) photographed moments after recovering Francisco de Goya’s Time of the Old Women.
Hans Peter Feldmann and his 100,000 $1 bills
Brennan McGaffey with preparator Anthony Elms. exhibition at VONZWECK. Photos by Philip von Zweck, 2007. (submission)
Richard Prince: Spiritual America at Walker Art Center. Installation photo by Cameron Wittig (2008)
